Mixing Music for Radio: Finding Sonic Space

Creating a mix that sounds great on the radio requires a different approach than mixing for other playback systems. Radio broadcasting has its own set of technical limitations and sonic characteristics that must be considered. Here's how to craft music that shines through the airwaves.

Understanding Radio Compression

Radio stations often employ heavy compression to maximize loudness and ensure consistent signal levels. This can significantly alter the dynamics of your mix. To compensate, it's important to create a mix that is already relatively compressed, but not overly so. This allows the radio station's compression to enhance your mix without crushing it entirely. Think of it as pre-mastering for the airwaves. Be wary of overcompression audio, which can sound fatiguing to listeners.

Frequency Considerations

Radio frequencies can be limited, and some frequencies are often emphasized more than others. Pay close attention to the mid-range frequencies, as these are often the most prominent on the radio. Ensure that your vocals and lead instruments are clear and present in this range. Avoid excessive use of sub-bass frequencies, as these may not translate well on all radio systems. Prioritize clarity and intelligibility, especially for vocals. A little EQ can help carve out space for each element. It's key to consider radio frequency limitations during the mixing process.

Mono Compatibility

While most modern radios are stereo, there's still a chance that your music might be played on a mono system. It's crucial to ensure that your mix sounds good in mono as well as stereo. Check your mix in mono to identify any phasing issues or elements that disappear when summed to mono. Make adjustments as needed to ensure a balanced and cohesive sound. It is important to confirm audio mono compatibility to ensure the quality of audio across devices.

Results for "radio frequency limitations"